Both feature impoverished, retrospective, first-person narrators in which the action happens to the narrator-as-child -- in this case, Jigana, an 8 year-old Nairobi beggar -- but the narrator telling the story is the adult writing with the perspective of years.
Fofo Kpee survives by smuggling people across the Nigerian border, a delicate task made much easier by the new motorcycle that he has just purchased with money given him by a man known as Big Guy.
More power to him. And here is where the neighbors forgive the family's debt. Jigana represents hope for his family who want him to go to school and become educated.
She read them out. Then she remembers that Maisha brought the feast after all, bags of random foods all but forgotten in the sadness of her impending departure.
One fascinating thing about this story is it was written by an ordained Jesuit priest, a Nigerian currently studying at the U.
Jigana blames himself because he needs the money and has been the reason for the pressure on Maisha. Despite this ban, the girls escape to their balconies and mime messages to each other, proving that the heart speaks louder than words. I saw the teacher writing around the cracks and patches of the blackboard like a skillful matatu threading his way through our pothole-ridden roads.
His family lives in a street shanty in Nairobi, Kenya, but their way of both loving and taking advantage of each other strikes a universal chord.
In the story, the family is sitting around the shack waiting for Maisha to return with the "Ex-Mas" feast after a hard night of shagging white men and their monkey. Fofo teaches his niece and nephew the programmed answers they must have ready for their new life.
Tweet The sun had gone down on Ex-mas evening. The girl hears tiny sneezes and thinks there is a ghost in her house. Naema returns with Baby from begging, says Maisha is moving out, that it's time for her to start whoring full-time.
Summary Analysis You'll also get access to more than 30, additional guides andHomework Help questions answered by our experts. Dad Baba wakes up.
Maisha returns in a taxi. The oldest daughter, angry twelve-year-old Maisha with her bleached hair and skin, longs to go to school but cannot because, as a prostitute who mostly serves white tourists, she is the true support of the family.
It was our playground. The Muslim girl, Selam, was encouraged to eat whatever she felt comfortable with while at her best friends' home.
It makes us see people, no matter their circumstances, as people. The two are soon taken away, but when other children join the group, they will sail together to their fine new home in Gabon. The benefactor, who soon come be called Mama and Papa by the children, ensure that the children are always well-fed, have new clothes, and that Fofo has plenty of new luxuries.
Uh, did he not get the memo from the Vatican that preaching abstinence and the value of not using condoms will solve all these troubles. His mother is your basic stay-at-home glue-sniffing drunk who has caught a pregnant dog and is hoping to sell the puppies to pay for Jigana's schoolbooks.
Every Ex-Mas, Mama follows the tradition of reading the family names inscribed in their battered Biblea catalog of misfortunes, inasmuch as all are missing or dead. The two are soon taken away, but when other children join the group, they will sail together to their fine new home in Gabon. He becomes angry at her white clients.
The only flashback section: Want to write a story?. "An Ex-Mas Feast" tells the story of eight-year-old Jigana's family struggle to deal with the extreme poverty that has forced them into street begging and sends their twelve-year-old.
Jun 13, · (To be fair, on Ex-Mas Eve there was a bonanza of three cups of rice and zebra intestines, scrounged from an N.G.O. party). In the story, the family is sitting around the shack waiting for Maisha to return with the "Ex-Mas" feast after a hard night of shagging white men and their monkey.
An Ex-Mas Feast Summary Uwem Akpan’s story, “An Ex-Mas Feast” is a story of the struggles that one family goes through to give gifts on their upcoming Christmas season. Uwem Akpan's stunning stories humanize the perils of poverty and violence so piercingly that few readers will feel they've ever encountered Africa so immediately.
The eight-year-old narrator of "An Ex-Mas Feast" needs only enough money to buy books and pay fees in order to attend school/5. Though she still appeared drunk from last night’s party, her hands were so steady that her large tinsel Ex-mas bangles, a gift from a church Ex-mas party, did not even sway.
An Ex-Mas Feast is one of the stories in that collection – although I read it as a stand alone story in The New Yorker. Jigana, an eight year old who is the eldest boy of his family, narrates the story.An ex mas feast summary