By comparing other symbols of the Mound Builders with those found carved on Niven's Mexican tablets it appears to show some definite connection between them, and that these Indian legends are history, orally handed down. This myth may have recalled the original dance floor in the Theatral area.
The labrys is basically a double bladed axe or hatchet which can be used for both harvesting and as a weapon. Sacred dance was a female endeavour. Labyris — the Double Axe and the Butterfly Goddess The Labyris was as important, powerful and omnipresent a symbol to the Minoan religion as the Cross is to Christianity and the crescent to Islam.
She seems to have been served by priestesses, but there is no evidence that Minoan religious practice was centered around formal public temples. The earliest examples date from the middle of the EM period.
The baths at Knossos and Zakro suggest that they formed part of the preparation for those wishing to enter the sacred confined of the Labyrinths. Warner, Kelly bubastis mindspring. Mycenean culture was dominated by Minoan Artcentred on the Mediterranean island of Crete.
It managed to survive as a small city state until BCE when it was sacked and burned by its neighbour Argos. The goddess Rhea taught the Kouret to dance and clash their shields in order to protect the infant Zeus from his father Kronos.
Yet, they have never been entirely lost. Great Goddess cosmology answers the two eternal questions posed by human consciousness: It is probable that this sacrifice is part of the funerary rites on behalf of the deceased on the opposite side.
Or are the scenes on the front pretty obviously indicative of a cult of the dead to be separated from those on the back arguably some kind of divine cult, perhaps connected with a deity of vegetation.
Crete has more than caves, many of which are very large. There may very well be some connection between the establishment of powerful central authorities in the palaces and the institution of worship in caves.
The scenes on the sarcophagus, painted on lime plaster applied over the limestone body of the chest, are unique in Aegean funerary art.
Gem-Engraving Seals One other art, also miniature, nourished in Mycenae, and perhaps throughout the Aegean world.
Four human skeletons were found in its ruins; one, belonging to a young man, was found in an unusually contracted position on a raised platform, suggesting that he had been trussed up for sacrifice, much like the bull in the sacrifice scene on the Mycenaean-era Agia Triadha sarcophagus.
Bull-Leaping Fresco A major festive celebration was exemplified in the famous athletic Minoan bull dancerepresented at large in the frescoes of Knossos  and inscribed in miniature seal stones.
In the post-Dark Age world of the sky-gods however, there is no place for an all-powerful underworld queen; so, she is given a husband, who's role overshadows her old one, except for among those who refused to let the old religion die.
Rutkowski has suggested that peak sanctuary cult became more institutionalized in the Neopalatial period under Knossian royal authority, perhaps with permanent priests in residence at the sites now boasting architecture. A Time-line for the History of Mathematics (Many of the early dates are approximates) This work is under constant revision, so come back later.
Please report any errors to me at [email protected] Religion played a fundamental role in the lives of the Minoan Crete, illustrated amongst reoccurring religious symbols eminent throughout their everyday life.
A vast majority of Minoan religion remains unknown or unable to interpret, yet facts such as the religion being of polytheistic nature and possible cult practices existing within the religion is interpreted from evidence recovered archaeologically. The symbol of the bee was twofold: one it represented mutual support and fertility; two, life that came from death.
‘Melissae’ was the name given to the priestesses relating to the cult of bees. Other animals featured in Minoan religious rites were birds, bulls and mountain goats.
The earliest goddess figurines found on Crete date from Neolithic times and thus from its first settlers, who supposedly came from Anatolia. The figurines belong to the age-old ”fat woman” tradition that began during the Paleolithic. Numerous such symbols in ivory, faience, painted in frescoes or engraved in seals sometimes combined with the symbol of the double-edged axe or labrys which was the most important Minoan religious symbol.
p. CHAPTER VIII THE MOUND BUILDERS OF NORTH AMERICA. NONE of the prehistoric races that have inhabited North America have caused more interest and speculation than the Mound Builders.Minoan religious symbols